![]() Like technology, musical styles sometimes persist long past the point of being fashionable. Thus the music roll, invented in the 1880's, has persisted into the twenty-first century. These interfaces often feature a digital music roll, which allows musicians to place every note at a timestamp and play it back with a computer. Many film soundtracks are now crafted using this type of software. Digital audio workstations enable users to create music using virtual instruments. ![]() ![]() Physical music rolls are now outdated technology, but it's interesting to note that their design has influenced modern software. This was a way of sharing music before recorded audio was commonplace. These rolled up pieces of paper, perforated for machines to read, were fed into player pianos and played back as music. In the early 1900's, that is how many people would have first heard them. You don't need a pianist to hear a rag, if you have a music roll and a player piano. The story of his life is filled with tragedy and suffering, but his art endures. Joplin's music has earned a place in our culture despite a relentless string of professional and personal setbacks. However, as you'll find, in some ways it's surprising we know his name at all. Retrieved 5 August 2011.Scott Joplin, a African American man who was called "the king of ragtime", was the most famous composer of piano rags who ever lived. New York Media LLC (24 December 1979): 81. Billboard Magazine (28 September 1974): 61. ^ CD reissue at Nonesuch Records website.Australian Chart Book 1970–1992 (illustrated ed.). ^ " Scott Joplin Piano Rags Nonesuch Records CD (w/bonus tracks)".^ "Saul Lambert, 81, artist/illustrator".^ Scott Joplin: Piano Rags, Joshua Rifkin, piano, vinyl LP, 1970, Nonesuch Records stereo H-71248. ![]() Nonesuch followed up the album with Scott Joplin: Piano Rags, Vol. Nonesuch reissued the album on CD, with nine additional tracks. Schonberg, music critic at The New York Times, having just heard the album, wrote a featured Sunday edition article entitled "Scholars, Get Busy on Scott Joplin!" Schonberg's call to action has been described as the catalyst for classical music scholars, the sort of people Joplin had battled all his life, to conclude that Joplin was a genius. In 1979 Alan Rich in the New York Magazine wrote that by giving artists like Rifkin the opportunity to put Joplin's music on record Nonesuch Records "created, almost alone, the Scott Joplin revival." Separately both volumes had been on the chart for 64 weeks. The Billboard "Best-Selling Classical LPs" chart for 28 September 1974 has the record at #5, with the follow-up "Volume 2" at #4, and a combined set of both volumes at #3. The album was nominated in 1971 for two Grammy Award categories: Best Album Notes and Best Instrumental Soloist Performance (without orchestra). Record stores found themselves for the first time putting ragtime in the classical music section. The album was released in November 1970 and sold 100,000 copies in its first year and eventually became Nonesuch's first million-selling record. Yet it offers a perfect opportunity to discover the beauties of his music and accord him the honor that he deserves." He notes, "The awakening of interest in black culture and history during the last decade has not yet resurrected Joplin and his contemporaries, who remain barely known beyond a growing coterie of ragtime devotees. Rifkin provides a brief history of ragtime music, a biographical sketch of Joplin, and musical analysis of his compositions. Aubort & Joanna Nickrenz - engineering and tape editing (Elite Recordings, Inc.) It became Nonesuch Records' first million-selling album. The record is considered to have been the first to reintroduce Joplin's music in the early 1970s, initially gaining critical recognition and later commercial success after several of Joplin's compositions were featured in the 1973 film The Sting. The original album's spine and various compact disc reissues render the title as Scott Joplin: Piano Rags. Piano Rags by Scott Joplin is an album by Joshua Rifkin, consisting of ragtime compositions by Scott Joplin, released on the Nonesuch Records label in 1970.
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